The spirit of the post-modern attitude is embodied in attacking the idea of the fixed symbol, in turn creating new definitions to what we assume as absolute. A rub between disparate concepts can create a fertile ground to co-opt and re-purpose symbols in order to produce new forms. In other words, bestowing our respective toolsets as practitioners upon works from a not-too-distant past can manipulate it, now re-rendering it within the present.
Utilizing our self-initiated work as test subjects (images positioned around the perimeter), we (Hank Huang, Vance Wellenstein, Zakary Jensen and Zachary Klauck) created a web of links tracing commonalities in reference within our respective projects (images positioned towards the center). In doing so, we found significant amount of overlap, all of which supporting our ideas of reduced restrictions with regards to intellectual property that we advocated for throughout the duration of the semester. It is through this practice that we as designers are invested into how found elements that function in opposition to one another can become assembled, and through this assemblage unexpected meanings are forced to emerge from the world. It illustrates the fact that the notion of the truly original work is false, and that instead those forms we take ownership in are actually built upon the backs of the generations that preceded us.